Beneath the Skin: The Sam Hunter Case Files
About this audiobook
A collection of short stories featuring Sam Hunter, from bestselling author Jonathan Maberry
Sam Hunter is a bit of an animal. He’s a former Twin Cities cop who lost his badge because of excessive force. Abusive husbands, child molesters, and other lowlifes wound up looking like they’d been mauled by a dog—or a wolf.
Now Sam is a low-rent PI in Philadelphia. He takes the kinds of cases no one wants. His clients are usually on the fringes of society, the kind who are prey for all manner of predators—human and otherwise.
When Sam takes on a client they become part of his “pack,” and no one protects their own better than a werewolf, at least the kind of werewolf like Sam, who comes from a long, long line of Benandanti—also known as “the hounds of God.”
Stories in this collection include: “Like Part of the Family,” “Toby’s Closet,” “Crazy Town,” “We All Make Sacrifices,” and “A House in Need of Children.”
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About the author
JONATHAN MABERRY (he/him) is a New York Times bestselling, Inkpot winner, five-time Bram Stoker Award-winning author of Relentless, Ink, Patient Zero, Rot & Ruin, Dead of Night, the Pine Deep Trilogy, The Wolfman, Zombie CSU, and They Bite, among others. His V-Wars series has been adapted by Netflix, and his work for Marvel Comics includes The Punisher, Wolverine, DoomWar, Marvel Zombie Return and Black Panther. He is the editor of Weird Tales Magazine and also edits anthologies such as Aliens vs Predator, Nights of the Living Dead (with George A. Romero), Don’t Turn out the Lights, and others. Follow him on his website and on all social media platforms.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
