Going to New Orleans
Charles Tidler
jan. 2015 · Post Hypnotic Press · Lesari: Michael Puttonen
headphones
Hljóðbók
3 klst. og 35 mín.
óstyttu útgáfu
family_home
Gjaldgeng
info
reportEinkunnir og umsagnir eru ekki staðfestar Nánar
Viltu prófa í 9 mín.? Hlustaðu hvenær sem er, líka án nettengingar.
Bæta við
Um þessa hljóðbók
Lewis King is a trumpet player who lands a gig in the Big Easy. He is a genius on horn, but King’s private life is, morally, physically, and financially bankrupt. A heavy drinker and compulsive sexual manipulator, he is prone to paranoid fits of violent rage. Ms Sugarlicq, his girlfriend, can’t keep her pants on. They’re perfect for each other...
A fantastic and graphic first-person narrative, Going to New Orleans serves as a surreal, yet faithful, guide to the food, music, history, and literature of New Orleans. A dirty book, but also a spiritual book one..
If books had bloodlines, Going to New Orleans would be a cousin to both Michael Ondaatje’s Coming Through Slaughter and Tom Walmsley’s Doctor Tin, and a bastard grandchild of Georges Bataille’s The Story of the Eye. Like Slaughter, the protagonist is a horn player with a dark side, New Orleans in all its voodoo glory is a central character, and the language is evocative and spare. As with Tin and Eye, the all-pervasive sexuality is transgressive, perverse, algolagnic, and disturbingly captivating, like seeing a car wrecked after running the red-light district. — Georgia Straight, Sept. 2004
A fantastic and graphic first-person narrative, Going to New Orleans serves as a surreal, yet faithful, guide to the food, music, history, and literature of New Orleans. A dirty book, but also a spiritual book one..
If books had bloodlines, Going to New Orleans would be a cousin to both Michael Ondaatje’s Coming Through Slaughter and Tom Walmsley’s Doctor Tin, and a bastard grandchild of Georges Bataille’s The Story of the Eye. Like Slaughter, the protagonist is a horn player with a dark side, New Orleans in all its voodoo glory is a central character, and the language is evocative and spare. As with Tin and Eye, the all-pervasive sexuality is transgressive, perverse, algolagnic, and disturbingly captivating, like seeing a car wrecked after running the red-light district. — Georgia Straight, Sept. 2004
Gefa þessari hljóðbók einkunn
Segðu okkur hvað þér finnst.
Upplýsingar um hlustun
Snjallsímar og spjaldtölvur
Settu upp forritið Google Play Books fyrir Android og iPad/iPhone. Það samstillist sjálfkrafa við reikninginn þinn og gerir þér kleift að lesa með eða án nettengingar hvar sem þú ert.
Fartölvur og tölvur
Hægt er að lesa bækur sem keyptar eru í Google Play í vafranum í tölvunni.
