Eyeliner: A Cultural History
Zahra Hankir
แแแ. 2023 ยท Penguin Random House Audio ยท แแแฎแ แแแแแ: Soneela Nankani
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A New York Times Book Review Editors' Choice Pick
โCosmetic, tool of rebellion, status signifier: Eyeliner has been all these and more. Moving through millenniums and across civilizations, Hankir gives the makeup its eye-opening due.โย โThe New York Times Book Review
โAn impressive, rigorously researched, winding path through centuries and over continents.โ โNPR.org
โI loved Eyeliner. Hankir approaches her subject with dedicated curiosity, humility, and humor, blending anthropology, travel writing, memoir and history. A treat.โ โKassia St. Clair, author of The Secret Lives of Color
From the acclaimed editor of Our Women on the Ground comes a dazzling exploration of the intersections of beauty and power around the globe, told through the lens of an iconic cosmetic
From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably funโyet it is also far from frivolous.
Seen through Zahra Hankirโs (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversationsโwith nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and moreโEyeliner embraces the rich history and significance of its namesake, especially among communities of color. What emerges is an unexpectedly moving portrait of a tool that, in various corners of the globe, can signal religious devotion, attract potential partners, ward off evil forces, shield eyes from the sun, transform faces into fantasies, and communicate volumes without saying a word.
Delightful, surprising, and utterly absorbing, Eyeliner is a fascinating tour through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.
โCosmetic, tool of rebellion, status signifier: Eyeliner has been all these and more. Moving through millenniums and across civilizations, Hankir gives the makeup its eye-opening due.โย โThe New York Times Book Review
โAn impressive, rigorously researched, winding path through centuries and over continents.โ โNPR.org
โI loved Eyeliner. Hankir approaches her subject with dedicated curiosity, humility, and humor, blending anthropology, travel writing, memoir and history. A treat.โ โKassia St. Clair, author of The Secret Lives of Color
From the acclaimed editor of Our Women on the Ground comes a dazzling exploration of the intersections of beauty and power around the globe, told through the lens of an iconic cosmetic
From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably funโyet it is also far from frivolous.
Seen through Zahra Hankirโs (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversationsโwith nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and moreโEyeliner embraces the rich history and significance of its namesake, especially among communities of color. What emerges is an unexpectedly moving portrait of a tool that, in various corners of the globe, can signal religious devotion, attract potential partners, ward off evil forces, shield eyes from the sun, transform faces into fantasies, and communicate volumes without saying a word.
Delightful, surprising, and utterly absorbing, Eyeliner is a fascinating tour through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.
แแแขแแ แแก แจแแกแแฎแแ
Zahra Hankir, a Lebanese British journalist and the editor of Our Women on the Ground, writes about the intersection of politics, culture, and society, particularly in the broader Middle East. Her work has appeared in publications including Condรฉ Nast Traveler, The Observer Magazine, The Times Literary Supplement, BBC News, Al Jazeera English, Bloomberg Businessweek, the Los Angeles Times, and The Rumpus. She was awarded a Jack R. Howard Fellowship inInternational Journalism to attend the Columbia Journalism School and holds degrees in politics and Middle Eastern studies.
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