A Hero of Our Time

¡ Blackstone Audio Inc. ¡ Clive Chaferā§° āĻĻā§āĻŦāĻžā§°āĻž āĻŦāĻ°ā§āĻŖāĻŋāĻ¤
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First published in Russia as Geroy Nashego Vremeni, A Hero of Our Time is set in the Russian Caucasus in the 1830s.

In A Hero of Our Time, Grigory Pechorin is a bored, self-centered, and cynical young army officer who believes in nothing. With impunity he toys with the love of women and the goodwill of men. He is brave, determined, and willful, but his wasted energy and potential ultimately result in tragedy.

This psychologically probing portrait of a disillusioned nineteenth-century aristocrat and its use of a nonchronological and multifaceted narrative structure influenced such later Russian authors as Fyodor Dostoevsky and Leo Tolstoy and presaged the antiheroes and antinovels of twentieth-century fiction.

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Mikhail Yuryevich Lermontov (1814–1841), sometimes called “the poet of the Caucasus,” was the most important Russian poet after Alexander Pushkin’s death. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also by his prose. His poetry remains popular in Chechnya, Dagestan, and beyond Russia.

Clive Chafer is a professional actor, director, producer, and theater instructor. Originally from England, he has performed on stage in the United States at many theaters, including California Shakespeare Theater, Berkeley Repertory Theatre, Magic Theater, Utah Shakespearean Festival, and American Players Theater (Wisconsin). In 1993, he founded TheatreFIRST, the San Francisco Bay Area's only internationally oriented theater. He has taught theater at the University of San Francisco and the University of Portsmouth in the UK. His audiobook credits include The Last Lion, part three of William Manchester's epic biography of Winston Churchill (for which he won an AudioFile Earphones Award), Colin Cotterill's series of crime novels set in 1970s Laos and featuring the wonderful character of Siri Paiboun, the country's only coroner, and Cornelius Ryan's seminal WWII accounts The Longest Day and A Bridge Too Far. He gained his Master of Fine Arts in staging Shakespeare from Exeter University in 2000 and graduated from the Drama Studio London in 1983. He has been a member of Equity and SAG-AFTRA for over twenty-five years. He recently moved back to his native England, and continues to narrate, act, and teach theater there.

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